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Anarchism – A Documentary History of Libertarian Ideas, Volume 1 (2005)


From Anarchy to Anarchism (300 CE to 1939)

Volume 2 : The Emergence of The New Anarchism (1939-1977)

Volume 3 : The New Anarchism (1974–2012)


Author(s)

Robert Graham


Contents

“Anarchy, a society without government, has existed since time immemorial. Anarchism, the doctrine that such a society is desirable, is a much more recent devel­opment.

For tens of thousands of years, human beings lived in societies without any for­mal political institutions or constituted authority. About 6,000 years ago, around the time of the so-called dawn of civilization, the first societies with formal structures of hierarchy, command, control and obedience began to develop. At first, these hierar­chical societies were relatively rare and isolated primarily to what is now Asia and the Middle East. Slowly they increased in size and influence, encroaching upon, some­times conquering and enslaving, the surrounding anarchic tribal societies in which most humans continued to live. Sometimes independently, sometimes in response to pressures from without, other tribal societies also developed hierarchical forms of social and political organization.

Still, before the era of European colonization, much of the world remained essentially anarchic, with people in various parts of the world continuing to live without formal institutions of government well into the 19th cen­tury. It was only in the 20th century that the globe was definitively divided up be­tween competing nation states which now claim sovereignty over virtually the entire planet.

The rise and triumph of hierarchical society was a far from peaceful one. War and civilization have always marched forward arm in arm, leaving behind a swath of destruction scarcely conceivable to their many victims, most of whom had little or no understanding of the forces arrayed against them and their so-called primitive ways of life. It was a contest as unequal as it was merciless.

[…]

Anarchists and their pre­cursors, such as Fourier, were among the first to criticize the combined effects of the organization of work, the division of labour and technological innovation under capi­talism. Anarchists recognized the importance of education as both a means of social control and as a potential means of liberation. They had important things to say about art and free expression, law and morality. They championed sexual freedom but also criticized the commodification of sex under capitalism. They were critical of all hierarchical relationships, whether between father and children, husband and wife, teacher and student, professionals and workers, or leaders and led, throughout society and even within their own organizations. They emphasized the importance of maintaining consistency between means and ends, and in acting in accordance with their ideals now, in the process of transforming society, not in the distant future. They opposed war and militarism in the face of widespread repression, and did not hesitate to criticize the orthodox Left for its authoritarianism and opportunism.

They developed an original conception of an all-encompassing social revolution, rejecting state terrorism and seeking to reduce violence to a minimum.”

Robert Graham

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Anarchism and Art : Democracy in the Cracks and on the Margins (2016)


Author(s)

Mark Mattern


Contents

“The prefigurative potential of art lies in the arts as a domain of creativity and imagination, where artists constantly innovate new cultural forms. Each new artistic or cultural form represents new potentialities for human thought and action. Of course, artists also often simply reflect changes that are occurring in other domains. Artists constantly strive to put their feelings and ideas onto canvas and onto stage and into words, feelings and ideas that often lie outside the margins of current ways of life.

In their work we can see alternative futures.

Since the inception of the anarchist movement in the nineteenth century, ‘the arts have been an integral part of the anarchist movement’. […] It reflects back on us ; it reveals ourselves to ourselves and to others. This opens the possibility of self and social criticism. […] Many anarchists, past and present, have emphasized art’s role in adding beauty and joy to any life worth living, as well as its role in challenging superstition and social conventions.

Contemporary anarchist David Graeber asks, ‘Why is it that artists have so often been drawn to revolutionary politics?’ The answer, he argues, ‘must have something to do with alienation.’ Artists imagine things and then bring them into being ; and this is the essence of unalienated production. The link to imagining and then creating revolutionary alternatives is a natural one. And this is especially true ‘if that alternative is the possibility of a society premised on less alienated forms of creativity.’

Graeber highlights an important point about anarchists past and present : they do not accept the often dreary, mechanical, regimented, work – and efficiency- obsessed world defined by capitalism and the liberal democratic state. It does not have to be this way, they affirm.

We can create a better world, a world less marked by the mind-numbing, alienating forms of work and leisure conceived primarily in terms of consumption. We can create a world marked instead by creative, joyful, satisfying work and play. We can bridge the gap between art and everyday life.”

Mark Mattern

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Mattern, Mark

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